Category Archives: writing out the sermon

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How Reading the Wall Street Journal Can Help Your Preaching. Honest.

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The Opinion section seems fair and the writing is superb.
Photo by Allie on Unsplash

Several months ago I decided to go back to getting a newspaper again. I was close to getting a subscription to digital curated news, such as Apple News, but the reviews were not great. I chose the Wall Street Journal thanks to a generous discount for educators. Or, was it students? That’s not important right now.

What is important is how the quality of WSJ’s writers is helping me be a better communicator of God’s Word.

Here are some lines from this weekend’s WSJ from one of my favorite writers, Peggy Noonan’s, Declarations: The GOP Tries to Make Its Case…

“If you weren’t moved by [Jon Ponder’s speech] you don’t do moved.”

Or, the reporting of Sen. Tim Scott’s speech which included the phrase,

“Because of the evolution of the Southern heart.” (explaining how “a black man who started with nothing [ended up in “Congress in an overwhelmingly white district in Charleston and beat the field, including the son of former-Sen. Strom Thurmond.”].

Or…

“[Republicans] hit on the one fear shared equally now by the rich, the poor and the middle: that when you call 911 you’ll go to voicemail.”

Or, my new favorite word I read several days ago: humblebrag.

So, in Psalm 18:23 David commits humblebrag when he claims: “I was blameless before him, and I kept myself from my guilt.” Much different than David’s confession in Psalm 38:18 “I confess my iniquity; I am sorry for my sin.”

There are several times in the earlier Psalms when David voices humblebrag. It’s a great word to describe how David can crow even though there were many times he had to eat crow.

I just wished I had remembered to say it in the sermon. Oh well.

May our Lord receive glory in the church and in Christ Jesus (Ephesians 3:21) because of our attempts to become better wordsmiths.

Randal

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How Much of Your Sermon Is Original?

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I believe that but also know of other preachers who have preached this text better!

In the middle of the week I began thinking about how much of my sermon-in-the-making is the result of my own thinking. I know about the debate surrounding whether or not anyone can ever have a truly original idea. And I’m not talking about plagiarizing either.

I guess I’m asking you to think about what parts of your sermon development and delivery are your work.

Let’s begin with some thoughts about using someone else’s material:

On one side of the spectrum, think about those times when you rely on an English dictionary, thesaurus, or original language lexicons and theological dictionaries. Now go all the way to the other side of the line and think about borrowing someone else’s sermon title and structure.

In the middle I put quotes or paraphrases from our favorite authors, like Jonathan Edwards, Augustine, or William Goldman (author and screenplay writer of The Princess Bride).

So, what do I bring to the equation? Every week by the grace of God I…

  • trace the argument of my preaching portion and discover how meaning is made before I know what that meaning is.
  • determine how this text intends to elicit worship (I complete the sentence: “We worship the Lord this morning by…”).
  • know enough about my congregants to know this text is relevant.
  • create a structure that leads to the theological meaning of the text.
  • talk to my listeners about their Christian experience from the text while I write out my sermon manuscript.
  • make critical word-choices that affect how the sermon sounds (an ora-script within the manuscript).
  • smile at them to let them know I love them.
  • show them how the Christ-event makes this text come true for those who believe.

What did I miss?

May our Sunday “originals” continue to give God glory in the church and in Christ Jesus (Ephesians 3:21),

Randal

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Why Looking At Them Really Matters

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The kind of response we’re missing these days, right?!

I’m reading Carrell’s chapter, Delivering, Not Decorating, and it’s no surprise that eye contact during sermon delivery would be mentioned.

If you’re wondering why eye contact is critical for our preaching and teaching it’s because: “Sustained eye contact communicates relationship.” (p. 148)

If you’ve studied preaching or worshiped with me, you know how I feel about the effect that relationships have on communication and pastoral ministry. It’s impossible to overestimate its importance.

One of Carrell’s respondents wrote to her:

“Some weeks it’s just too much work to try to pay attention and connect when he doesn’t even make an attempt to look up to acknowledge we’re all out here [emphasis added]” (p. 148).

Yikes!

The pulpit or positioning of preachers and teachers usually already creates some distance. We can’t afford to add to it by poor eye contact.

It’s true that visuals such as slides can hurt if constructed and used poorly. However, here are two things to consider:

(1) Know your material so well that you rarely have to look at it, except for maybe a few quotes, stats, or references. I suggest you manuscript/orascript your sermons each week and read them over a few times to absorb the essential concepts, flow, and key words. When Sunday comes you won’t need many notes at all. Trust me on that one.

(2) Remind yourself that you will be talking to them about them throughout the sermon/lesson. Limit, if not eliminate, the number of minutes you talk to them about the Bible. You should not let them stray from you for long. That means you will continue to direct your communication “at” them. Not that you’re necessarily preaching at them–remember that your relationship with them is key. But you are always engaging them and looking at some of them in the process.

Let’s do the hard work of preparation in the power of God’s Spirit so they don’t have to work so hard to pay attention. And may our Lord receive glory in the church and in Christ Jesus (Ephesians 3:21).

Randal

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What If You Were Being Charged $0.65 Per Word?

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How much would your sermon manuscript cost?

This past week I had the unfortunate privilege of helping to write my Dad’s obituary. The fine folks at the Kennebec Journal in Augusta, Maine informed me that each word would cost $0.65 and each picture an additional $15.

That information changed the way I wrote the final draft. [Just to let you know, our family agreed that the cost was not a factor in what we decided to include or exclude. However, knowing the cost per word did affect my editing.]

So, what if you wrote out your sermon, word-for-word and then edited it knowing you would be charged $0.65 per word and money was tight? Do you think that final draft would be better or worse because of it?

I think you know what I think. Your sermon would become more concise. You would find that lots of the words in the first draft were unnecessary and unhelpful. The discarded words and phrases would gain you valuable pulpit time, especially those precious minutes near the end.

Some of you know I’m a big fan of manuscripting-with-a-view-toward-preaching-without-notes for lots of reasons. Manuscripting provides an opportunity for me to be more concise. Editing as if I were being charged $0.65 per word gives me a final draft I can confidently “take” to the pulpit.

Most of my students don’t believe me when I extol the virtues of manuscripting. They confess that they usually write out an outline and some key thoughts. Then I usually protest in my evaluations of their final sermons that they could have been more concise! (*smile*)

Before Sunday edit your manuscript as if I were charging you $0.65 per word and may our Lord receive glory in the church and in Christ Jesus (Ephesians 3:21) in part because of your concise communication of His Word.

Randal

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Never Study Without Typing Out Your Sermon. Ever. Period.

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That’s you writing out your sermon from minute one of your study!

This was supposed to be another, What I’m learning from reading Jonathan Edwards’s early sermons post. It still is in a way.

Kimnach’s general introduction to volume 10 (The Works of Jonathan Edwards) includes a section called, The Making of Sermons. It’s a gold mine for anyone interested in Edwards’s homiletical method. For instance, Edwards changed the way he took notes as he gained preaching experience.

In the early years Edwards’s sermon notebook contained Scripture that might be preach-able. Later “the notebook becomes a workbook, perhaps indicating an increasing devotion to the art of making sermons, but more likely indicating an effort to eliminate the need for a full first draft, separate from the pulpit draft of the sermon” (p. 67).

That means Edwards began writing out his sermons much earlier.

I can’t remember when I started the practice of writing the sermon from the moment I begin my studying on Monday mornings. But it’s one of the best practices I’ve learned over the years.

It means not separating studying for a sermon from the actual writing of the sermon. Sermon studying = sermon scripting.

Try this: copy and paste your preaching portion for Sunday onto a Pages or Word document (for me it’s Psalm 3 in the morning and Psalm 4 in the evening), begin at verse 1 (or whatever your first verse is; of course you’ve confessed your sin if you have wormed your way into the middle of a pericope!), and begin preaching to your congregants.

You don’t need to select one or two; preach to them all just like you’ll be doing on Sunday, Lord willing. You’ll find that you’ll preach some, study some, then preach some more, then study some more, etc. That is, you’ll write down what you’ll say to your folks, visit your favorite helps in Logos or commentary, and write out what you found and want to convey. That rhythm occurs repeatedly for the duration of your sermon preparation.

If you combine this practice of writing your sermon while you study with my ABIT approach to your first hour or two of study, you’ll find your sermon comes together quite nicely.

May our Lord be glorified in the church and in Christ Jesus as you work hard for Him and your flock this week (Ephesians 3:21).

Randal